repulsionist
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Post by repulsionist on Jul 25, 2019 17:42:10 GMT -5
patbat, as "I agree with you, and his work is mostly the bummer you describe" counterpoint, Brown's Louis Riel: A Comic-Book History is a book that doesn't focus his sentiment inward. It's a history of the MΓ©tis rebel leader. Great stuff about development of the Western provinces. I very much enjoyed it when I read it about a year ago.
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repulsionist
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Post by repulsionist on Aug 7, 2019 19:44:11 GMT -5
Sparks!, Ian Boothby (illustration by Nina Matsumoto) (2018)
This'un is a fun'un. A super dog that's actually two cats in a super suit. I'm very much enjoying this as I read it to a 7 and 4 year-old evenings. Highly recommended for chilluns and grown-ups just pretending who like adventure novels.
For further context, Boothby was lead writer for Simpsons and Futurama comics and is the author of the Exorsisters series. Matsumoto is an artist who has also worked on Simpsons and Futurama comics as well as her own manga series YΕkaiden.
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Post by President Hound on Aug 9, 2019 16:53:46 GMT -5
I read Joe Sacco's Palestine. I wasn't expecting a happy comic, but I wasn't prepared for how grim it gets.
I bought a issue of World War 3 from a used bookstore, so that's probably up next.
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Post by sarapen on Aug 12, 2019 11:45:34 GMT -5
Lankhmar: Swords and Deviltry, a Conan-esque tale of two adventurers making their way across a fantasy world. I expected it to be more misogynistic but it was better than I'd feared - possibly because it was published in 1970 and not 1932, although apparently the earliest of the Lankhmar stories was written in 1939. Perhaps Fritz Leiber was just less of an ass than Robert E. Howard?
Anyway, I usually have trouble reading stories from the Golden Age of sci-fi/fantasy. Let's face it, the prose is almost always a slog. Margaret Atwood's The Blind Assassin has excerpts from the stories of a fictional Golden Age sci-fi writer and one reviewer pointed out they were far better written than actual stories in the magazines at the time. However, the prose in this book is actually going down easy for me, run-on sentences and all.
Edit: Shit, I meant to post this in the books thread. I will keep this post up as a reminder of my eternal shame.
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Post by repulsionist on Aug 22, 2019 1:54:48 GMT -5
The Three Escapes of Hannah Arendt: A Tyranny of Truth, Ken Krimstein (2018)
Excellent historical comic from Krimstein. I've only skimmed Arendt after numerous reads of Koestler's Darkness at Noon and background readings from when I had a subscription to The Nation. This book excited by synthesising a lot of previous biographies I haven't read. Krimstein talks of bettering the Classics Illustrated books in interviews, and he does. Note, I loved reading Classics Illustrated as a tween kid.
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Post by repulsionist on Aug 25, 2019 18:40:20 GMT -5
Coyote Doggirl, Lisa Hanawalt (2018)
I have not ever watched an episode of Bojack Horseman; however, I know of its existence and have seen some clips. This western graphic novel showcases Hanawalt's watercolour skills and attention to line. The story is a nice one and uses all the broad strokes of tropes to knit a slightly new outfit that looks the better for its wear.
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Post by repulsionist on Sept 1, 2019 19:50:34 GMT -5
Drawn to Berlin: Comic Workshops in Refugee Shelters and Other Stories from a New Europe, Ali Fitzgerald (2018)
I've carefully and uncarefully examined Fitzgerald's work throughout the first half of this; it's drawn differently on purpose to illustrate internal movement and all kinds of deeper contexts (i.e. all comics, but reviews I've consumed while I read through this note poignantly the changing use of whitespace in their criticism - see hyperbolics inΒ Vulture/New York Magazine). There are some heartbreaking moments of staggering genius from the artist(s). I had completely forgotten about the inflatable indoor spaces created at sport halls in Berlin where refugees congregated. Thanks, ceaseless newscycles of compounded misery and worry. Probably worth a look if only to both personalise and abstract the daily existential horror of the 21st century.
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Post by President Hound on Sept 16, 2019 22:42:30 GMT -5
Man-Eaters is one of the worst comics I have ever read. Though its all bad, you can tell the two points where Cain started to give less of a fuck than before.
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Post by Deleted on Oct 23, 2019 19:25:48 GMT -5
Pretty sure Berserk might be my favorite piece of media period. Complete masterpiece.
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Post by sarapen on Nov 4, 2019 21:17:07 GMT -5
Iβm reading Again!! by Mitsuro Kubo. Itβs a manga about a guy who spent his entire high school career friendless and alone, cursing his peers as lamers and suck-ups who obsess about frivolous and stupid shit like after-school clubs and grades and dating. You see, heβs a misanthrope who just went to class and went home every day for years, carrying on with the bare minimum of life in high school. And then he graduates. He has no plan or aspirations or dreams, and possibly no soul. However, the day after his graduation, he experiences a bizarre and inexplicable mishap and wakes up again on the first day of high school. The first time around, he was too shy to even answer when asked to join the " ouendan", which is a club devoted to a male-dominated type of Japanese cheerleading. As Wikipedia describes it: In this go-around our protagonist barely makes an audible response to the recruiter, but it's enough for her to shanghai him since the club is in desperate need of new members. Despite himself, he finally experiences all those things he'd looked down on - giving his all as part of a team, caring about his friends, having a crush on a girl and desperately wanting to know how they feel, and many more parts of high school life that he'd only seen secondhand. And here we come to the misanthrope's secret. Many misanthropes actually hate the fact that they hate other people and wish they were part of the community they see around them. "I wish I were a better person," is the fantasy at the heart of this comic. I just wished it would remember this fact. See, in a high school series, it's easy to get caught up in the numerous setbacks that beset our characters. Oh no, the club might be dissolved! Oh no, the team captain and the manager might get into a love triangle with our hero! Oh no, that silver-tongued hottie seducing that girl is secretly an asshole! I mean, yeah, high school and life in general is a bunch of stuff happening one after another. The point of a narrative is giving structure to those events. Plus, if you're just doing a story about a guy's high school life, what's even the point of the time travel angle? The manga does come back repeatedly to the time travel thing, but mostly as a plot contrivance. There's time spent on another person also being a time traveler, and more time spent on what kind of time travel we're talking about (many worlds theory, parallel universes, grandfather paradoxes, though those specific terms aren't used by the characters, but that's what they mean). However, there's less space given to the emotional experience of reliving life. The protagonist himself mentions that he hasn't taken advantage of his experience to talk more to his grandmother even though she passes away during his time in high school. More could also have been done with the second time traveler, who is actually a girl who enjoyed her high school life and is rather resentful that our protagonist managed to drag her along to a somewhat crappier version of her original experiences. By the latest translated volume, she remains a supporting character in our hero's story and still hasn't really come into her own. Perhaps I'm overly critical, but I'm just a bit frustrated because I can see the manga only occasionally hitting its story potential, or at least not hitting the story potential I wish for. However, don't be discouraged, there's definitely something there to the manga as it is, since I wouldn't have read 9 volumes over one week otherwise. And one thing I can unequivocally praise about the comic is its artwork. I mean, look at it: The sense of anatomy alone is superb - the weight in the step, the off-balance foot, the angle of the body. And the use of negative space! This image shows off the negative space more clearly. And the expressions on the characters' faces are so detailed for just a few simple lines. I often end up just pausing to stare at a splash page and enjoy the artistry. Anyway, tl;dr: I think Again!! is an interesting manga that has the potential to become something more, if it ever figures out how to fully connect its plot to its premise.
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Post by repulsionist on Nov 19, 2019 17:13:08 GMT -5
The "Oh, at least I'm reading something" post:
O Josephine!, Jason (2019)
Nothing to report on this one other than I took it out of the library; placed it on my bedside table; later had it in the lounge; then my 7-year-old flipped through it and said "there are a lot of murders in this one".
post-read EDIT: I found the first vignette required some background knowledge of the author/artist's prior work. In this case, Jason's partial trek of the Camino de Santiago and his current brief detailing of a walk through Wicklow Way. The Leonard Cohen joke-bio was good only if you've read about Cohen's life and appreciate his works. Which in the case of this reader, I have - so the absurdisms do land on more than a few occasions. The last story, or short set of drawings evoking a mood or scene, really didn't do that much for me. Having not read other works by Jason I give this a C+.
The Return of the Honey Buzzard, AimΓ©e de Jongh (2014)
post-read EDIT: How or where Ms. de Jongh got this story is of some interest to me. How she chose to execute the pathos experienced by the participants was brilliant. I liked very much the wink-nudge of a graphic novel about a bookstore owner. The leitmotif of the Honey Buzzard is quite calming despite its reference to lost passion. Despite having not read other works by de Jongh I give this an A-.
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Post by repulsionist on Nov 25, 2019 18:14:10 GMT -5
Walt Disney's Mickey Mouse: The Ice Sword Saga, (Disney Masters #9) , Massimo De Vita (2019) I claim this publishing effort to be the most valuable of all Disney properties in the context of near-term evaluation. Yes, that is a dig at Disney+. Anyhow, the international writers and artists for Disney from the 1970s are most commonly engrossing in their efforts. I wholly recommend this and the other volumes for reading to children or yourself. Shine on, Fantagraphics. Shine on.
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Post by patbat on Dec 19, 2019 22:02:24 GMT -5
Gyo, Junji Ito: Truly bizarre and horrifying, sure, but ultimately a little...silly? However, worth the price of admission is the real star of the show, the unrelated included short story "The Enigma of Amigara Fault" which is, in my opinion, the closest anyone has come to equalling Lovecraft at his best.
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Post by Superb Owl π¦ on Dec 20, 2019 9:58:11 GMT -5
Walt Disney's Mickey Mouse: The Ice Sword Saga, (Disney Masters #9) , Massimo De Vita (2019) I claim this publishing effort to be the most valuable of all Disney properties in the context of near-term evaluation. Yes, that is a dig at Disney+. Anyhow, the international writers and artists for Disney from the 1970s are most commonly engrossing in their efforts. I wholly recommend this and the other volumes for reading to children or yourself. Shine on, Fantagraphics. Shine on. You know, I checked one of the Donald Duck collections out of the library a couple years back to read with the kids and it didn't really take, but now that Owl Jr.: a) Can actually read himself b) "Gets" graphic novels because of his obsession with Dog Man c) Loves the DuckTales cartoon reboot I wonder if it would be worthwhile to try again. Any recommendations on where to start/what to avoid?
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Post by Ben Grimm on Dec 20, 2019 11:35:32 GMT -5
Walt Disney's Mickey Mouse: The Ice Sword Saga, (Disney Masters #9) , Massimo De Vita (2019) I claim this publishing effort to be the most valuable of all Disney properties in the context of near-term evaluation. Yes, that is a dig at Disney+. Anyhow, the international writers and artists for Disney from the 1970s are most commonly engrossing in their efforts. I wholly recommend this and the other volumes for reading to children or yourself. Shine on, Fantagraphics. Shine on. You know, I checked one of the Donald Duck collections out of the library a couple years back to read with the kids and it didn't really take, but now that Owl Jr.: a) Can actually read himself b) "Gets" graphic novels because of his obsession with Dog Man c) Loves the DuckTales cartoon reboot I wonder if it would be worthwhile to try again. Any recommendations on where to start/what to avoid? The Carl Barks stuff is very good and very influential, but contains some unfortunate racial stuff common to the era (40s and beyond) it was written. That stuff isn't universal (or even super-common) in his stories, but it's there in some of them. Fantagraphics has been collecting and releasing his work in some EXTREMELY well-done volumes. The Don Rosa stuff is likewise very good and pretty much free of the badly dated stuff (at least I can't recall coming across any, though I'll admit I haven't read everything). His stuff started in the early 80s, I think, and is likewise being very nicely collected by Fantagraphics. Those two generally seem to be considered the Alpha and Omega of the duck books. There's probably other good stuff, but not at their level.
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Post by Crash Test Dumbass on Dec 20, 2019 11:57:40 GMT -5
Walt Disney's Mickey Mouse: The Ice Sword Saga, (Disney Masters #9) , Massimo De Vita (2019) I claim this publishing effort to be the most valuable of all Disney properties in the context of near-term evaluation. Yes, that is a dig at Disney+. Anyhow, the international writers and artists for Disney from the 1970s are most commonly engrossing in their efforts. I wholly recommend this and the other volumes for reading to children or yourself. Shine on, Fantagraphics. Shine on. You know, I checked one of the Donald Duck collections out of the library a couple years back to read with the kids and it didn't really take, but now that Owl Jr.: a) Can actually read himself b) "Gets" graphic novels because of his obsession with Dog Man c) Loves the DuckTales cartoon reboot I wonder if it would be worthwhile to try again. Any recommendations on where to start/what to avoid? Owly (text free, maybe too obvious a choice?) Archie comics from before the reboot Most of Raina Teglemeier's work Big Nate Batman Adventures
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Post by repulsionist on Dec 20, 2019 12:41:24 GMT -5
Superb Owl π¦, temporally it may be too late this year, but The Ice Sword Saga is the place to start because both stories in the volume revolve around Christmas. I too got one of the Donald Duck collections earlier this year (not the Carl Barks' one) and it did not gel with anyone in our house. My kids liked this one because I could do all the voices when I read. I mean, you ever try reading out loud a whole Donald Duck volume?
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Post by Superb Owl π¦ on Dec 20, 2019 12:54:46 GMT -5
Superb Owl π¦ , temporally it may be too late this year, but The Ice Sword Saga is the place to start because both stories in the volume revolve around Christmas. I too got one of the Donald Duck collections earlier this year (not the Carl Barks' one) and it did not gel with anyone in our house. My kids liked this one because I could do all the voices when I read. I mean, you ever try reading out loud a whole Donald Duck volume? Yea, it went about like this
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Post by patbat on Dec 20, 2019 14:52:35 GMT -5
Walt Disney's Mickey Mouse: The Ice Sword Saga, (Disney Masters #9) , Massimo De Vita (2019) I claim this publishing effort to be the most valuable of all Disney properties in the context of near-term evaluation. Yes, that is a dig at Disney+. Anyhow, the international writers and artists for Disney from the 1970s are most commonly engrossing in their efforts. I wholly recommend this and the other volumes for reading to children or yourself. Shine on, Fantagraphics. Shine on. You know, I checked one of the Donald Duck collections out of the library a couple years back to read with the kids and it didn't really take, but now that Owl Jr.: a) Can actually read himself b) "Gets" graphic novels because of his obsession with Dog Man c) Loves the DuckTales cartoon reboot I wonder if it would be worthwhile to try again. Any recommendations on where to start/what to avoid? There's some of the same unfortunate of-its-era racial stuff as in the Carl Barks' Donald Duck comics, but I would also suggest checking out some Tintin if you're looking for another globe-trotting adventure comic for a boy.
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Post by Superb Owl π¦ on Dec 20, 2019 14:59:24 GMT -5
You know, I checked one of the Donald Duck collections out of the library a couple years back to read with the kids and it didn't really take, but now that Owl Jr.: a) Can actually read himself b) "Gets" graphic novels because of his obsession with Dog Man c) Loves the DuckTales cartoon reboot I wonder if it would be worthwhile to try again. Any recommendations on where to start/what to avoid? There's some of the same unfortunate of-its-era racial stuff as in the Carl Barks' Donald Duck comics, but I would also suggest checking out some Tintin if you're looking for another globe-trotting adventure comic for a boy. Yea, I've thought about Tintin in the past, but trying to work around the racial stuff scared me off.
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Post by Superb Owl π¦ on Dec 30, 2019 10:07:41 GMT -5
My sister- and brother-in-law got me Spider-Man: Life Story by Chip Zdarsky and it's a fun read. The conceit (Spider-Man ages in real time starting in the 60's, but versions of the major comic book storylines happen roughly in the years they were published) is pretty good. Really, my only complaint is that there isn't more of it. Every issue in the collection covers one decade and I think you easily could have gone more ambitious, doing a 6-issue volume 1 that was just 60's Spidey and gone from there.
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Post by Crash Test Dumbass on Jan 4, 2020 10:23:47 GMT -5
LaGuardia by Nnedi Okorafor and Tana Ford. The conceit: first contact has happened and the world is full of aliens, and USAans are still racist to them, and also still racist to black people, and Dr. Future Chukwuebuka has to fight for equality for both herself and the aliens she brought with her, and really that sounds kind of stupid when I write it out but it was way better than I am making it sound. Ford's art is very impressive, and the book also delves into African politics, which is something I haven't heard too much about.
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Post by Celebith on Jan 16, 2020 1:28:18 GMT -5
Lankhmar: Swords and Deviltry, a Conan-esque tale of two adventurers making their way across a fantasy world. I expected it to be more misogynistic but it was better than I'd feared - possibly because it was published in 1970 and not 1932, although apparently the earliest of the Lankhmar stories was written in 1939. Perhaps Fritz Leiber was just less of an ass than Robert E. Howard? Anyway, I usually have trouble reading stories from the Golden Age of sci-fi/fantasy. Let's face it, the prose is almost always a slog. Margaret Atwood's The Blind Assassin has excerpts from the stories of a fictional Golden Age sci-fi writer and one reviewer pointed out they were far better written than actual stories in the magazines at the time. However, the prose in this book is actually going down easy for me, run-on sentences and all. Edit: Shit, I meant to post this in the books thread. I will keep this post up as a reminder of my eternal shame. I think this was a bit of a prequel novella, going back and filling in the details of how Fafhrd and The Grey Mouser met, so he'd been writing about them for decades at this point. IIRC, Leiber was a staff writer for an encyclopedia at some early point in his career, and although most of his stuff was 'weird fiction' (sci-fi/fantasy/horror), he wrote a lot of essays and other non-fiction, and some poetry, which gave him a pretty well-rounded background and a more fluid style than many of his contemporaries. Of course, he was part of the same pen-pal circle as Lovecraft and Howard, and had some of the same ostentatious writing tics. All-in-all, though, most of his stuff holds up pretty well.
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Post by Celebith on Jan 16, 2020 1:35:29 GMT -5
There's some of the same unfortunate of-its-era racial stuff as in the Carl Barks' Donald Duck comics, but I would also suggest checking out some Tintin if you're looking for another globe-trotting adventure comic for a boy. Yea, I've thought about Tintin in the past, but trying to work around the racial stuff scared me off. My kids enjoyed the Amulet books, and Mouseguard The kids kinda aged out of Amulet before it finished (he's on vol. 9, and I'm not sure if he's done). Liz n Dicksgiving is running/playing an RPG based on Mouseguard, though, and can probably second my recommendation.
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Post by Liz n Dicksgiving on Jan 16, 2020 9:09:02 GMT -5
Yea, I've thought about Tintin in the past, but trying to work around the racial stuff scared me off. My kids enjoyed the Amulet books, and Mouseguard The kids kinda aged out of Amulet before it finished (he's on vol. 9, and I'm not sure if he's done). Liz n Dicksgiving is running/playing an RPG based on Mouseguard, though, and can probably second my recommendation. I actually haven't even read Mouseguard! Which is why my RPG mouse is a former junior accounts rep at a commercial insurance company in Secaucus. I'm... not sure that's canon? Hugs and Hisses is our GM, and might actually know more about the book...
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Post by Hugs and Hisses on Jan 16, 2020 15:11:21 GMT -5
I haven't read an entire Mouseguard book yet, but the artwork is spectacular! From what I have seen, it's very swashbuckly and imaginative. I think I would have been all over the series when I was a kid.
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Post by Deleted on Jan 24, 2020 0:31:38 GMT -5
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repulsionist
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Post by repulsionist on Feb 6, 2020 4:33:25 GMT -5
"Back to the Klondike" (1952) "The Horseradish Story" (1953)
Both of these are from Fantagraphics Carl Barks Library. I don't recall what volume at the moment. Despite the "of its time" rendering of certain aspects of human culture, these stories are rollicking good fun. I mentioned earlier that I revere Fantagraphics' work in lovingly reprinting these works in long-lasting, physical books. I didn't read the Disney comics much as a child, pre-teen, teen; however, they're worth something. And in this regard I mean they manage to invoke some sense of innocent fun, which is quite an accomplishment in this unyielding shitstorm of the 21st century.
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Post by patbat on Feb 6, 2020 10:03:04 GMT -5
I reread Uzumaki recently--there's just no way Adult Swim is going to be able to include either of the hospital chapters ("Mosquitoes" and "The Umbilical Cord") in their animated adaptation, is there?
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Crash Test Dumbass
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Post by Crash Test Dumbass on Feb 6, 2020 15:07:59 GMT -5
Spiderman: Life Story, Chip Zdarsky and Mark Bagley What Ifβ’ Spiderman really was 15 years old in 1962 when he was bit by a radioactive spider, and everything in the Spiderman canon happened in real time? It's a cute concept, and handled pretty well overall. Spidey goes through a lot of crap (because of course he does), and there are callouts to a lot of famous events in his various series, like Kraven's Last Hunt, the Secret War where the black suit that becomes Venom shows up, and even somehow the Clone Saga; as well as real-life events like Vietnam and the September 11th attacks; but they are all woven together expertly in this rollercoaster. Zdarsky also gets to show off his art skills (he writes a lot of good stories (check out his Jughead), but he's also the artist for Sex Criminals and other things), drawing the covers for each issue.
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