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Post by disqusf3dme on Jan 5, 2015 18:17:13 GMT -5
Great fight sequences in this one. I remember being impressed at the core muscles on the one guy who sprang to a full leap from a reclining position on a couch. He probably had an eight-pack under that shirt. Also liked the duel between Sammo Hung and the fencer as being a showdown between two completely different styles of sword fighting. I love all the crazy acrobatics, or that one part where Biao Yuen jumps from the balcony and lands on his butt, right on the concrete. I don't even know how they did that one. I don't want to believe they were crazy enough to just jump and land on concrete ass first from a second story balcony, but I wouldn't put it past them either. Or when Jackie drops kicks one guy right off of a motorcycle, and you totally just see them rolling around in pain after. I can't even believe the amount of guts these stunts must take. It really makes me want to work out and take classes.
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Deleted
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Post by Deleted on Jan 6, 2015 3:46:54 GMT -5
I know I haven't done a last movie watched in a good bit, despite having watched movies since then. So I just want to say that I will be watching Whiplash(2014) in the immediate future and even though I haven't seen it I will give you guys a little taste of what my post on it will be. Dr. Matt's 100 Percent Natural Good Time Family Review-O meter says Whiplash(2014) is going to be better than Drive(2011)
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Deleted
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Post by Deleted on Jan 6, 2015 7:18:19 GMT -5
Whiplash(2014) So tense that I still feel like I have to puke even though the movie is over. I'm not exaggerating at all, I feel miserable. I don't really want to add much more because the film just hits way too close to home for me. Just go watch it, it is great.
My spoiler, which was a guess and not an actual spoiler, in the above post was right!
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Post by disqusf3dme on Jan 6, 2015 22:29:59 GMT -5
Last night I watched Jack Reacher which was pretty solid. Much like (I assume) the novel's it's based after, it's just pure entertainment. Not trying to say nothing deep, just letting you get involved with a fun mystery story. Tom Cruise plays the role well. The movie felt really old school in ways, and not just because the action sequences are fantastic. The dialogue had this humorous element at times you don't get anymore. Tom Cruise said to one person "I'm gonna beat you death and drink your blood out of a boot" which is totally fucking weird but also really badass. It's like something Roddy Piper might have said in They Live. There was also this sort of rough element to the action, it was realistic. There's one scene where a couple of dudes attack him in a bathroom. It's really small and they have weapons. Their first hit dazes him and he falls in a tub, and in their attempts to hit him in such an enclosed space, they just end up breaking a lot of stuff and missing. Although when he gets out and fights them, he manages to pile both of them on top of each other, and then grabs one guys head and uses it to bash the other guy's head multiple times. Pretty fucking genius. But there's also a car chase, and he bumps into a lot of stuff. I guess the point is, when he gets hurt during a fight, it shows. I liked that. And Werner Herzog plays the villain, also genius. It's also pretty misogynistic though. I'd compare it to a James Bond film in its treatment of women. If you can get past that and just want a solid thriller, it's pretty good. I noticed AV Club gave it a C-. It seems really harsh. They openly admit to liking just about every aspect, but somehow the character of Jack Reacher and the film's treatment of him was just too much. The end of the review calls it "mythmaking for self-satisfied sociopaths" and I mean like, holy fuck, judgmental much? This isn't the first movie to treat it's hero like an infallible badass, and it's definitely not the last. Sometimes you want to see that, is that so wrong?
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Post by MrsLangdonAlger on Jan 7, 2015 7:59:34 GMT -5
Inherent Vice with Iffy at a free screening last night.
Loved it. It was hilarious, intricately shot, and occasionally felt like being in someone's bizarre but fascinating dream. Even when I had no clue what would happen next (and I've read the book) or thought "wow, this movie feels long" I was throughly engrossed.
I was, however, very annoyed at the person in front of us on Facebook half the time, and the people who randomly left five minutes before the end.
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Post by rimjobflashmob on Jan 7, 2015 16:10:53 GMT -5
Finally got around to watching Whiplash, and while I hate to just heap on additional praise, holy shit, that movie was awesome. Although I need to smoke like five cigarettes afterwards. So intense. That last sequence was sublime, I actually sat up during.
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outforawalk
TI Forumite
Faraday Cage Wikipedia Page
Posts: 534
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Post by outforawalk on Jan 8, 2015 1:32:59 GMT -5
I watched Coherence again, because I decided my sister needed to see it. It was still good the second time. Apparently it made her bite her nails.
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Deleted
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Post by Deleted on Jan 8, 2015 1:59:23 GMT -5
I just watched Election for the first time in years.
Wow, the humor still holds up through the years, and the movie does not feel dated at all, despite the fact that Witherspoon is now a mature woman ... and Matthew Broderick looks exactly the same.
I still love how Payne completely subverted the high school drama cliche. Every character in the film is as morally contemptible as possible ... excluding the popular jock. The only character to root for is the one character that no other subversive high school movie would ever have you support.
Great watch, fantastic performances, and still hysterical.
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Post by NerdInTheBasement on Jan 10, 2015 9:40:10 GMT -5
I saw Selma last night and what a fantastic movie. It's a film filled with great performances, expert directing and a harsh sense of reality that makes the whole proceedings go the extra mile in quality.
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Post by Beatrix Kiddo 9000 on Jan 10, 2015 12:12:36 GMT -5
I saw Selma last night and what a fantastic movie. It's a film filled with great performances, expert directing and a harsh sense of reality that makes the whole proceedings go the extra mile in quality. I also saw Selma last night. It's pretty incredible and hard to watch. My one minor complaint would be I don't think the slo-mo really worked with the overall tone/style... but it was used like twice. The movie really puts in perspective how far we've come, yet how little things have changed. You could have taken a lot of MLK's words and applied them directly to Ferguson.
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Post by ganews on Jan 10, 2015 14:17:40 GMT -5
Tombstone. Michael Biehn was always great, why hasn't he done anything I've heard of since Grindhouse?
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Post by ganews on Jan 10, 2015 16:25:15 GMT -5
Whiplash. I don't if I can feel emotions anymore after this.
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Post by flapjackriley on Jan 10, 2015 20:02:32 GMT -5
I remember why I don't like watching movies on TV because of all the commercials. So it felt like I spent the past 5 years watching Looper. The latter half with Emily Blunt was great. It was like 2 different movies in one so the movie in the first half was the "weaker" part, but overall I liked the movie a lot.
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Post by Lord Lucan on Jan 10, 2015 23:03:11 GMT -5
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Post by The Narrator Returns on Jan 10, 2015 23:23:33 GMT -5
Inherent Vice. This is a movie for such a very, very specific audience (not your regular old Paul Thomas Anderson superfan, as I've seen many whom hold this as his first failure, but a P.T. Anderson superfan who, if they haven't read Thomas Pynchon, can at least get on the Pynchonian wavelength, with lots and lots of funny names to remember, plots that eventually become a mass of tangled connections and actions, and regular detours forwards, backwards, and sideways, and among the Pynchon fans that remain in the audience, ones that don't mind a streamlined version of the source novel) that it might as well be mailed directly to those people's doors without consideration for anyone else. And I am definitely not "anyone else". This is my favorite movie of 2014, with some of the best acting (especially from Joaquin Phoenix and Josh Brolin, who are a better Doc Sportello and Bigfoot Bjornsen than I could have ever imagined) and cinematography (courtesy of Robert Elswit, shooting California as a pleasantly hazy place, contrasting nicely with the after-hours nightmare he shot L.A. as in his other 2014 film, Nightcrawler) of the year.
(Of all the things Anderson cut from book to film, I definitely missed Sauncho Smilax's monologue about the confusion caused by the transition from sepia to color in The Wizard of Oz the most. I hope that he filmed it, and that he sees fit to include it on the DVD.)
(Also, it was amusing to hear the chuckles of recognition that came about when Belladonna made her appearance.)
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Post by Lord Lucan on Jan 11, 2015 0:05:25 GMT -5
Whiplash. I don't if I can feel emotions anymore after this. Is it like Full Metal Jacket except jazz?
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Post by ganews on Jan 11, 2015 0:21:29 GMT -5
Whiplash. I don't if I can feel emotions anymore after this. Is it like Full Metal Jacket except jazz? I found it more harrowing because the young protagonist actually wants to be there.
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Post by The Prighlofone on Jan 11, 2015 1:24:46 GMT -5
Whiplash. I don't if I can feel emotions anymore after this. Is it like Full Metal Jacket except jazz? Full Metal Jazzket
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Post by MrsLangdonAlger on Jan 11, 2015 1:42:13 GMT -5
Inherent Vice. This is a movie for such a very, very specific audience (not your regular old Paul Thomas Anderson superfan, as I've seen many whom hold this as his first failure, but a P.T. Anderson superfan who, if they haven't read Thomas Pynchon, can at least get on the Pynchonian wavelength, with lots and lots of funny names to remember, plots that eventually become a mass of tangled connections and actions, and regular detours forwards, backwards, and sideways, and among the Pynchon fans that remain in the audience, ones that don't mind a streamlined version of the source novel) that it might as well be mailed directly to those people's doors without consideration for anyone else. And I am definitely not "anyone else". This is my favorite movie of 2014, with some of the best acting (especially from Joaquin Phoenix and Josh Brolin, who are a better Doc Sportello and Bigfoot Bjornsen than I could have ever imagined) and cinematography (courtesy of Robert Elswit, shooting California as a pleasantly hazy place, contrasting nicely with the after-hours nightmare he shot L.A. as in his other 2014 film, Nightcrawler) of the year. (Of all the things Anderson cut from book to film, I definitely missed Sauncho Smilax's monologue about the confusion caused by the transition from sepia to color in The Wizard of Oz the most. I hope that he filmed it, and that he sees fit to include it on the DVD.) (Also, it was amusing to hear the chuckles of recognition that came about when Belladonna made her appearance.) I too am part of this audience. And am also now wondering if @iffy heard my chuckle of recognition when Belladonna showed up.
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Post by Douay-Rheims-Challoner on Jan 11, 2015 10:11:20 GMT -5
Finally saw Seven Psychopaths. Was like McDonagh stumbling around a Coen movie (mostly due to Carter Burwell's score.)
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Post by flowsthead on Jan 11, 2015 20:54:14 GMT -5
Yes, it's in my top 10 of 2014. I thought it was fantastic. Busy day yesterday. The Tale of Princess KaguyaAbsolutely stunning. The animation is so beautiful it makes you think that they used thousands of individual paintings to make the film. The characters are pretty wonderful and I went through the entire range of human emotions watching the film. My one complaint is the long monologuing, but it is a folk tale so that is understandable. 4/4SelmaWonderful performances, especially from David Oyelowo and Tom Wilkinson, who are really the only two characters and Johnson is barely so. It's a powerful film, however I felt the directing wasn't so great. There were a few scenes in particular that I found jarring. When King is talking to a father about the man's son King is framed to the left and the father is framed to the right and it cuts between the two and I felt my eyes going form left to right every time it cut from one face on view to the other. It was like watching a tennis match, and I found it really distracting in what was supposed to be a really moving scene. This was the worst individual scene, but in general I felt there were too many close ups, like the crowd scenes would constantly go from face to face, which felt weird when most of these people barely spoke, if at all. 3/4Mr. TurnerGood performances in this one as well, but much less affecting. I thought there might be more time spent on the artistry, but it's really about Turner's personal life and him grunting all the time. The one affecting scene was SPOILER the death of his father END SPOILER. Otherwise it was just a lot of charming grunting. The old people in the theater with my seem to get a huge kick out of it though, and it was pretty and well shot, although not to my mind particularly so. 2/4Inherent ViceAs the Narrator said, it's a film for a very specific audience, and I am not in that audience. I do have to say that my estimation of Joaquin Phoenix has gone up considerably since Her and this film. I didn't much like him in the Master, but I thought he was really great in this. Most of the people in the theater found this film utterly hilarious, whereas I did not. It felt like arthouse stoner humor, which is a weird combination. Anyways, Phoenix was great, but the rest of the cast wasn't in the film much. It's a large and distinguished cast, yet most of them have only a few scenes. Brolin is in it a bit and he gets some good stuff out of it, but it's a broad performance so I don't know how much is him and how much is the script. Katherine Waterston maybe gets the most after Phoenix and Brolin, and it felt like she's there just to be mysterious and attractive. Which is another thing. The women in this film made me feel like this was the Wolf of Wall Street Part 2 where it's a bunch of attractive women in skimpy clothing surrounded by men of varying degrees of attractiveness. It's a clever enough story and PTA tells it well, but it was light on character and heavy on sexy girls, which I found kind of boring. 2/4
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Post by William T. Goat, Esq. on Jan 11, 2015 21:35:27 GMT -5
I rented Guardians of the Galaxy yesterday. It was OK. Humanizing minor characters (like John C. Reilly) is always a nice touch that I appreciate. Kind of surprised that a scene featured in many ads, and in fact used as the DVD's menu screen--Groot curiously squinting at Starlord's cassette player and reacting to the music--wasn't in the movie. Also, wished Howard the Duck looked and sounded more like the 80's movie version.
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Post by ganews on Jan 12, 2015 0:34:03 GMT -5
Snowpiercer. Ho-lee-shit. Best sci-fi movie concept since Cube. Chris Evans and whatacast, damn.
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repulsionist
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actively disinterested
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Post by repulsionist on Jan 12, 2015 10:56:19 GMT -5
Alan Partridge: Alpha Papa (2013) - Cylinders firing on E85 during this one. Right car. Right engine. Wrong fuel for this passenger.
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Post by disqusf3dme on Jan 13, 2015 22:49:00 GMT -5
Finally saw John Wick, I've been waiting for watch it for a while. It was everything I wanted and more, the kind of action that puts a giddy smile on my face. Fantastic action, great setting, solid acting all around, even for Keanu. He delivers so hard in his little "Yeah, I'm thinking I'm back!" speech. Actually, the entire cast was great, lots of familiar faces, each one adding just enough character to their role. Great visuals as well. The night club sequence especially is just gorgeously lit. I'd be down for a sequel or spin-off.
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Post by Beatrix Kiddo 9000 on Jan 14, 2015 0:49:05 GMT -5
Just got around to watching The Tale of Princess Kaguya (I saw it with subtitles, not the dubbed version). What a glorious, beautiful movie. It's rather long for an animated movie, but my god is it a work of art. The visual style is breathtaking, the kind of animation you never see anymore. I can't recommend it enough.
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mattepntr
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Just an AV Clubber who wandered over here.
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Post by mattepntr on Jan 14, 2015 1:20:26 GMT -5
Lost Highway
I've been on a David Lynch kick.
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Post-Lupin
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Immanentizing the Eschaton
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Post by Post-Lupin on Jan 14, 2015 5:09:24 GMT -5
The Equalizer: Wanted something inconsequential to test the link between my TV & the Mac I use as AV hub, which has been glitchy of late.
A rare film, in that it feels shorter than its 140 minute run time while being almost completely tedious. And a terrible waste of Bill Pullman, to boot.
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Post by disqusf3dme on Jan 14, 2015 17:11:25 GMT -5
On more thing about John Wick that I keep thinking about: the spa scene. It's just amazing. John Wick kills a bunch of dudes in a spa, and there's this neon blue and pink lighting, and this soft electronic pop song plays over top. It doesn't fit with the visuals at all, and yet, the contrast is perfect. There's one part where he stabs a guy up from the bottom of his mouth, and they lock eyes as Keanu pulls him down to the ground slowly. I think it's the first time the film causes you to question the morality of the whole thing. The scene reminds me of very much of Dredd's use of slow-motion, in how it takes all this violence and makes it dreamlike and weirdly beautiful.
I could be misconstruing his words, but I think this is what Manny Farber was getting at when he talks about termite art. John Wick is solely devoted to its genre and nothing else, and in doing so creates all these scenes where the action and cinematography just all coalesce into this incredible aesthetic that's surprisingly affecting in a way. I don't think you would ever find a sequence that striking in a non-genre film. I've rewatched that scene alone multiple times since watching the full film last night, and I can't wait to rewatch it again in its entirety.
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Post by rimjobflashmob on Jan 14, 2015 18:01:28 GMT -5
I watched Predestination last night, and even though I've read the short story it was still a pretty awesome ride. Sarah Snook blew that shit out of the park. It's too bad that probably no one will see it because you can't really market it without giving away the entire plot - much better if you go into it knowing as little as possible. Also, Ethan Hawke: Less The Purge and Sinister, more Predestination and Gattaca! Damn, dude! Unless Linklater still has a vicelike grip on your balls.
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